PLANT’s Face to Face / Tête à Tête parklet for Toronto’s King Street Transit Pilot has been shortlisted for a 2019 WLA (World Landscape Architecture) Award! It’s one of four finalists in the “Built Small” category; the other three are from Italy, Israel, and Australia. The WLA Award winners will be announced on April 16.

We are overjoyed to have had two of PLANT’s recent residential projects featured in The Globe and Mail… on two consecutive Saturdays! If you’re a Globe and Mail online subscriber, check out Kristina Ljubanovic’s two most recent Favourite Room columns (“Can you have too much storage in a kitchen?” and “How a rear extension made this home brighter.”) And while you’re here on our newly redesigned website, we invite you to view more images of both residences – and see how our clients’ “Favourite Rooms” fit into the bigger-picture renovation and expansion of their homes. Go to Airdrie Road Residence for the project that answers that rhetorical question about kitchen storage, and take the digital tour of Booth Avenue Residence to scope out our enlightening addition to a very narrow row house.

We are excited to welcome you to PLANT’s new website, which is the result of a very enjoyable transatlantic collaboration. Our young German web designers, Johanna and Nils Hörrmann, run the multidisciplinary studio hana+nils in Braunschweig, the largest city between Berlin and Hanover. Working with communications designers who share our architecture and landscape architecture practice’s enthusiasm for modern design that is equal parts logic and delight has been a great experience. We hope you’ll find our new site engaging and easy to explore – and we’d love to hear your feedback.

Make a green start to 2019 at the Landscape Ontario Congress, the annual trade show and conference for Canada’s horticultural and landscape professionals. It runs January 8–10 at the Toronto Congress Centre, and PLANT is proud to be part of it. PLANT partner Lisa Rapoport and Darren Bosch of The Landmark Group are the featured speakers for the 1:15 to 4 pm session on January 10. Lisa’s subject is “Building Communities, One Public Space at a Time.” Referencing PLANT projects ranging from minuscule parklets to major public spaces, she will discuss how social, cultural, ritual and ecological experiences can inform the design of community-building public spaces. (Sign up today and save: December 20 is the last day for early bird pricing!)

View of the Seminary chapel

PLANT has now completed extensive accessibility, washroom, and building systems upgrades to many parts St. Augustine’s Seminary, and we are excited to begin planning a new phase of renovations to this Roman Catholic Archdiocese of Toronto heritage complex, which dates from 1913. Phase 3 encompasses lighting upgrades and the installation of air conditioning in the chapel and dining room, as well as washroom additions to residential suites in St. Joseph House, the convent on the site. PLANT Project Architect Patricia Joong recently examined the seminary’s beautiful chapel from an unusual perspective: she climbed into the attic above the barrel vault to gain a better understanding of how to minimize the aesthetic impact of lighting and ventilation improvements on this historic structure.

Patricia ascending to the vault.

On December 4, PLANT’s Phase 1 Implementation of Master Plan Streetscape Improvements in Forest Hill Village won a 2018 TABIA Award. Bestowed annually by the Toronto Association of Business Improvement Areas, the awards recognize excellence in design and programming initiatives that contribute to the vitality, amenity and distinctiveness of the city’s main-street retail districts. PLANT grouped seats, benches and custom green terrazzo planters to create conversation zones along Spadina Road. The planters, which extend the forms and materials palette of PLANT’s Forest Hill Village North Gateway at Suydam Park out to the adjacent retail district, were designed to do double duty as coffee tables. The latest win brings our TABIA total up to seven awards within the past three years.

View of the public meeting

PLANT has enjoyed working with several Toronto BIAs (Business Improvement Areas) on the development of streetscape master plans this year, and this important work for the public is now going public. Within the past three months we have conducted open houses to obtain feedback from area residents on our visions for three main street districts: Beach Village BIA, Riverside BIA, and Danforth Mosaic (“The Danny”) BIA. Here’s an image from the most recent of these: the Danforth Mosaic’s open house, which took place last week. All three streetscape improvement programs encompass art programs and other pedestrian-oriented public realm amenities.

With Words as Their Actions, PLANT’s public artwork for Ottawa’s new Confederation Line LRT system, is now fabricated and will soon be installed on the concourse level at Lyon Station. The stainless steel heads in the workshop photo below represent the 31 women who, in 1898, founded the capital city’s first historical association, The Women’s Canadian Historical Society of Ottawa (renamed The Historical Society of Ottawa in 1955). The steel silhouettes will be mounted atop a ribbon-like steel screen that has been water jet cut with text – in both of Canada’s official languages – from “Last Days of Bytown,” an account of pre-Confederation Ottawa by Anne Dewar, who was a member of the society in the 1950s. We can’t wait to see the finished piece, but we also like this image of “history” in the making.

One of PLANT’s most enjoyable collaborations of 2018 was teaming up with poet Ronna Bloom for one of the two Everyone Is King curb lane parklet installations we designed as a complement to the King Street Transit Pilot. For the Asphalt Poetry parklet, we stencilled Ronna’s poem “The City” in foot-high letters onto a 30-metre stretch of urban curb lane. Check out Ronna’s new YouTube video, in which she talks about her interdisciplinary collaborations with PLANT, a filmmaker, an artist, and others … and also explains why, when someone asks her for a poem, she treats it as “an emergency request.”